Able Grimmer (Flemish artist, c.1570–c.1619) A Summer Landscape with Peasants Harvesting with a View of Antwerp Beyond
Grain agriculture in ancient Rome provided bread for everyman's table & was idealized among the social elite as a way of life. Cicero considered farming the best of all Roman occupations. In his treatise On Duties, he declared that "of all the occupations by which gain is secured, none is better than agriculture, none more profitable, none more delightful, none more becoming to a free man." When one of his clients was derided in court for preferring a rural lifestyle, Cicero defended country life as "the teacher of economy, of industry, & of justice." Cato wrote "when they would praise a worthy man their praise took this form: 'Good husband good farmer'; it is from the farming class that the bravest men & the sturdiest soldiers come." Cato, Columella, Varro & Palladius wrote handbooks on farming.
Staple crops included wheat, emmer, spelt, & barley, all of them used for bread, the mainstay of every Roman table. In his treatise De agricultura ("On Farming", 2nd century BC), Cato wrote that the best farms contained a vineyard, followed by an irrigated garden, willow plantation, olive orchard, meadow, grain land, forest trees, vineyard trained on trees, & lastly acorn woodlands. "The people living in the city of Rome constituted a huge market for the purchase of food produced on Italian farms. Cato claimed that a small farm should have "a foreman, a foreman's wife, ten laborers, one ox driver, one donkey driver, one man in charge of the willow grove, one swineherd, in all sixteen persons; two oxen, two donkeys for wagon work, one donkey for the mill work."
Land ownership was a dominant factor in distinguishing the aristocracy from the common person, & the more land a Roman owned, the more important he would be in the city. Soldiers were often rewarded with land from the commander they served. Though farms depended on slave labor, free men & citizens were hired at farms to oversee the slaves & ensure that the farms ran smoothly. The Romans had four systems of farm management: direct work by owner & his family; tenant farming or sharecropping in which the owner & a tenant divide up a farm's produce; forced labor by slaves owned by aristocrats & supervised by slave managers; & other arrangements in which a farm was leased to a tenant.
There was much commerce between the provinces of the empire, & all regions of the empire were largely economically interdependent. Some provinces specialized in the production of grains including wheat, emmer, spelt, barley, & millet; others in wine & others in olive oil, depending on the soil type. Columella writes in his Res Rustica, "Soil that is heavy, chalky, & wet is not unsuited to the growing for winter wheat & spelt. Barley tolerates no place except one that is loose & dry." Pliny the Elder wrote extensively about agriculture in his Naturalis Historia including chapter XVIII on The Natural History of Grain
In the Roman Empire, some calculated that a family of 6 people would need to cultivate 12 iugera/ 3 hectares of land to meet minimum food requirements (without animals). Romans could acquire land for a farm in one of three ways. The most common way to gain land was to purchase the land. Though some lower class citizens did own small pieces of land, they often found it too difficult & expensive to maintain, & would sell it to someone in the aristocracy who had the financial backing to support a farm. Though there were some public lands available to the common person for use, aristocrats also tended to purchase those pieces of land, which caused a great deal of tension between the two classes. Some theorize that “Mass eviction of the poor by the rich underlay the political tensions & civil wars of the last century of the Roman Republic.” Another way to acquire land was as a reward for going to war. High ranking soldiers returning from war would often be given small pieces of public land or land in provinces as a way of paying them for their services. The last way to obtain land was through inheritance. A father could leave his land to his family, usually to his son, in the event of his death.
Cato explained that though some small farms were owned by lower class citizens & soldiers, much of the land was controlled by the noble class of Rome. Land ownership was just one of many distinctions that set the aristocracy apart from the lower classes. Aristocracy would "reorganize small holdings into larger more profitable farms in order to compete with other nobles." It was considered a point of pride to own not just the largest piece of land, but also to have land that grew high quality produce. As Cato wrote "when they would praise a worthy man their praise took this form: 'Good husband good farmer'; it is from the farming class that the bravest men & the sturdiest soldiers come." Careful planning went into every detail of owning & maintaining a farm in Roman culture.
Showing posts with label 15C. Show all posts
Showing posts with label 15C. Show all posts
Thursday, September 20, 2018
Wednesday, August 29, 2018
15C Forests, Chases, & Gameparks for Hunting by the Elites
Hunting deer, 15C Illuminated Manuscript
In the Middle Ages, hunting was an activity for elites. Hunting was the privilege of the nobility, closely linked to land ownership. When agriculture emerged in the Neolithic era, active livestock farming relegated hunting to a secondary role. Hunting became primarily a defensive practice aimed at protecting farmers’ crops from hungry or destructive wild animals. While crops & livestock farming covered people’s basic dietary needs, hunting offered a wider choice of meat to the privileged classes. Noblemen performed necessary management of their lands & the peasants in their employ. They raised funding for military expeditions & social events, practiced horseback riding, hunting, & hawking. Hunting had a dual symbolic & social significance. Being invited to hunt with the King was one of the court’s great honors. In Europe, laws were devised to regulate hunting on royal territory. The elites could show off their abilities as warriors through hunting. More than a pastime, it was an important arena for social interaction, essential training for war, & a gauge of nobility. Local lords maintained & monopolized the gameparks & the taking of big game in forest reserves & small game in warrens. These large sanctuaries of woodland—essentially the royal forest—where populations of game animals were kept & watched over by gamekeepers. Here the peasantry could not hunt, poaching being subject to severe punishment. The lower classes mostly had to content themselves with snaring birds & smaller game outside of forest reserves & warrens. By the 16C, most areas of land reserved for hunting of game were of 3 kinds, according to their degree of enclosure & being subject to Forest Laws: Forests, large unenclosed areas of wilderness; Chases, which normally belonged to nobles rather than the crown; & Parks, which were enclosed & not subject to Forest Laws.
Piero de' Crescenzi (1233-1321) wrote of Hunting in Book 10 of his Liber ruralium commodorum 1304-09. He advised that the gamepark should be stocked with hare, roe deer, red deer, wild boar, rabbits. He recommended the English, French, & Spanish hare specifically. He wrote of hunting dogs & their dietary recommendations for each season & even times of the day to feed them. Those participating in "the hunt" lived with unique vocabularies, customs, & ancient rituals.
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 10 On hunting (folio 265r)
The Book of the Hunt of King Modus & Queen Ratio after 1455
May - Falconry - Using a bird to help hunting other birds. Agricultural calendar from a manuscript of Piero de' Crescenzi (1233-1321) written c. 1306. Illumination from The Boccaccio Master Geneva (active between 1448-75) Illustration 1470-75
The Book of the Hunt of King Modus & Queen Ratio after 1455
Egerton Book of Hours Wolfgang Beurer (15C) Bear Hunting
The Book of the Hunt of King Modus & Queen Ratio after 1455
Egerton Book of Hours Wolfgang Beurer (15C) Boar Hunting
The Book of the Hunt of King Modus & Queen Ratio after 1455
Egerton Book of Hours Wolfgang Beurer (15C) Hare Hunting
The Book of the Hunt of King Modus & Queen Ratio after 1455
Egerton Book of Hours Wolfgang Beurer (15C) Hunting
See
Joyce Salisbury, The Beast Within. Animals in the Middle Ages (New York, 1994).
Chasse L.-J. Bord and J.-P. Mugg, La chasse au Moyen Age. Occident latin, Ve–XVe siècle (Paris, 2008).
Robert Delort, Le commerce des fourrures en Occident à la fin du Moyen Age ,2 vols. (Rome, 1978).
HH J. Cummins, The Hound and the Hawk. The Art of Medieval Hunting (London, 2001).
Hunting A. Smets and B. V an den Abeele, “Medieval Hunting” in Animals in the Medieval Age (Oxford, 2011).
Hannele Klemettilä, Animals and Hunters in the Late Middle Ages (Routledge, 2015)
Edward of Norwich, The Master of Game , ed. W. Baillie-Grohman and F. Baillie-Grohman (Philadelphia, 2005).
MH R. Almond, Medieval Hunting (Phoenix Mill, 2003).
Poétique A. Strubel and C. de Saulnier, La poétique de la chasse au Moyen Age: Les livres de chasse du XIVe siècle (Paris, 1994).
Labels:
15C,
Animals,
Dogs,
Gardens/Farms/Gameparks,
Hunting & Fishing
Tuesday, May 29, 2018
1404 Gardeners Plant a Garden
The Four Seasons - Lente (Spring) From a series of 4 plates (Hollstein 1404-1407) plates originally published by Assuerus van Londerseel. In this garden, a gentlelady and a couple oversee the work of the male & female gardeners. The garden has a fence surrounding raised geometric beds. The men seem to be digging & raking to prepare the beds, while the women seem to be planting. The workers have returned the pots to the garden, as the weather warms.
Saturday, February 10, 2018
1490 Watching the Year Fly by in the Cultural Landscape - Grimani Breviary
Grimani Breviary The Month of January 1490-1510
The Grimani Breviary is an illuminated manuscript of the Ghent-Bruges school of book illustration, dating from 1490-1510. It contains 831 parchment sheets with illuminations on 1280 pages and 110 pictures all of them in a decorated frame. The miniatures represent different styles, are attributed to Hans Memling, while others to Alexander and Simon Bening (1483-1561) . The name comes from Cardinal Grimani of Venice, who purchased this illuminated manuscript in 1520 for 500 golden ducates.
Grimani Breviary The Month of February 1490-1510
Grimani Breviary The Month of March 1490-1510
Grimani Breviary The Month of April 1490-1510
Grimani Breviary The Month of May 1490-1510
Grimani Breviary The Month of June 1490-1510
Grimani Breviary The Month of July 1490-1510
Grimani Breviary The Month of August 1490-1510
Grimani Breviary The Month of September 1490-1510
Grimani Breviary The Month of October 1490-1510
Grimani Breviary The Month of November 1490-1510
Grimani Breviary The Month of December 1490-1510
The Grimani Breviary is an illuminated manuscript of the Ghent-Bruges school of book illustration, dating from 1490-1510. It contains 831 parchment sheets with illuminations on 1280 pages and 110 pictures all of them in a decorated frame. The miniatures represent different styles, are attributed to Hans Memling, while others to Alexander and Simon Bening (1483-1561) . The name comes from Cardinal Grimani of Venice, who purchased this illuminated manuscript in 1520 for 500 golden ducates.
Grimani Breviary The Month of February 1490-1510
Grimani Breviary The Month of March 1490-1510
Grimani Breviary The Month of April 1490-1510
Grimani Breviary The Month of May 1490-1510
Grimani Breviary The Month of June 1490-1510
Grimani Breviary The Month of July 1490-1510
Grimani Breviary The Month of August 1490-1510
Grimani Breviary The Month of September 1490-1510
Grimani Breviary The Month of October 1490-1510
Grimani Breviary The Month of November 1490-1510
Grimani Breviary The Month of December 1490-1510
Friday, February 9, 2018
14C - 16C Sheep & Women in the Cultural Landscape
England (Lincoln), c. 1325-35 British Library, Additional MS 42130, Folio 87v
England (Lincoln), c. 1325-35 British Library, Additional MS 42130, Folio 163v The man is shearing, the woman is milking.
Sheep Shearing, Duke du Berry, Books of Hours (c. 1410)
A sheep-shearing feast is the setting for Act IV of William Shakespeare's A Winter's Tale.
"Wife make us a dinner, spare flesh neither corne,
Make wafers and cakes, for our sheepe must be shorne,
At sheep shearing neighbors none other thing craue,
but good cheer and welcome, like neighbors to haue"
Petites Heures de la reine Anne de Bretagne. Date d'édition 1401-1500
Simon Bening (1483-1561) April Farmyard with woman milking cow and shepherds driving sheep from byre. From the Da Costa Book of Hours, Bruges, c. 1515. MS. M.399, fol. 5v.
Book of Hours (Jehan de Luc, 1524)
Jean Fouquet c 1415-1481 Saint Margaret herding sheep From Hours of Etienne Chevalier.
A farmer watches his wife shearing sheep. Book of Hours, Italo-Flemish, early 16C
England (Lincoln), c. 1325-35 British Library, Additional MS 42130, Folio 163v The man is shearing, the woman is milking.
Sheep Shearing, Duke du Berry, Books of Hours (c. 1410)
A sheep-shearing feast is the setting for Act IV of William Shakespeare's A Winter's Tale.
"Wife make us a dinner, spare flesh neither corne,
Make wafers and cakes, for our sheepe must be shorne,
At sheep shearing neighbors none other thing craue,
but good cheer and welcome, like neighbors to haue"
Petites Heures de la reine Anne de Bretagne. Date d'édition 1401-1500
Simon Bening (1483-1561) April Farmyard with woman milking cow and shepherds driving sheep from byre. From the Da Costa Book of Hours, Bruges, c. 1515. MS. M.399, fol. 5v.
Book of Hours (Jehan de Luc, 1524)
A farmer watches his wife shearing sheep. Book of Hours, Italo-Flemish, early 16C
Thursday, February 8, 2018
15C Lady with Unicorn Coat of Arms sits in a Garden - Martin Schongauer ( c.1450-1491)
Martin Schongauer, Lady with Unicorn Coat of Arms. Martin Schongauer ( c. 1450-1491) A German engraver and painter that developed his own technique of engraving. His work was further developed by other artists like Albrecht Durer. He has approx. 116 known engravings mostly about religious topics, but some are of a comedic nature.
Wednesday, February 7, 2018
Garden Fountains for Bathing & Ornament.
Bathing in a garden fountain, from the fresco at Castello di Manta, c. 1411
See:
Archibald, Elizabeth, “Did Knights Have Baths? The Absence of Bathing in Middle English Romance,” Cultural Encounters In The Romance Of Medieval England, edited by Corinne Saunders (Boydell, 2005)
Caskey, Jill, “Steam and “Sanitas” in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages,” Journal of the Society of Architectural Historians, Vol. 58, No. 2 (1999)
Harvey, Barbara, Living and Dying in England, 1100-1540: The Monastic Experience (Clarendon Press, 1993)
Holmes, Urban Tigner, Daily Life in the Twelfth-Century (University of Wisconsin Press, 1952)
Lucas, A.T., “Washing and Bathing in Ancient Ireland,” The Journal of the Royal Society of Antiquaries of Ireland, Vol. 95, No. 1/2 (1965)
Newman, Paul B., Daily Life in the Middle Ages (McFarland and Co., 2001)
Smith, Virginia, Clean: A History of Personal Hygiene and Purity (Oxford University Press, 2007)
van Dam, Fabiola I., “Permeable Boundaries: Bodies, Bathing and FLuxes, 1135-1333,” Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages, ed. Patricia Baker (Brill, 2012)
van Winter, Johanna Maria, “Medieval Opinions about Food and Drinking in Connection with Bathing,” Spices and Comfits: Collected Papers on Medieval Food (Prospect Books, 2007)
See:
Archibald, Elizabeth, “Did Knights Have Baths? The Absence of Bathing in Middle English Romance,” Cultural Encounters In The Romance Of Medieval England, edited by Corinne Saunders (Boydell, 2005)
Caskey, Jill, “Steam and “Sanitas” in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages,” Journal of the Society of Architectural Historians, Vol. 58, No. 2 (1999)
Harvey, Barbara, Living and Dying in England, 1100-1540: The Monastic Experience (Clarendon Press, 1993)
Holmes, Urban Tigner, Daily Life in the Twelfth-Century (University of Wisconsin Press, 1952)
Lucas, A.T., “Washing and Bathing in Ancient Ireland,” The Journal of the Royal Society of Antiquaries of Ireland, Vol. 95, No. 1/2 (1965)
Newman, Paul B., Daily Life in the Middle Ages (McFarland and Co., 2001)
Smith, Virginia, Clean: A History of Personal Hygiene and Purity (Oxford University Press, 2007)
van Dam, Fabiola I., “Permeable Boundaries: Bodies, Bathing and FLuxes, 1135-1333,” Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages, ed. Patricia Baker (Brill, 2012)
van Winter, Johanna Maria, “Medieval Opinions about Food and Drinking in Connection with Bathing,” Spices and Comfits: Collected Papers on Medieval Food (Prospect Books, 2007)
Tuesday, February 6, 2018
Garden Fountains for Bathing & Ornament.
Two couples and two single figures in a garden square bath with a fountain at center; illustration to an unidentified Latin edition of Sebastian Münster, Cosmographia, probably printed by Petri in Basel, c. 1544-52.
See:
Did people in the Middle Ages take baths? Medievalists.net April 13, 2013
Archibald, Elizabeth, “Did Knights Have Baths? The Absence of Bathing in Middle English Romance,” Cultural Encounters In The Romance Of Medieval England, edited by Corinne Saunders (Boydell, 2005)
Caskey, Jill, “Steam and “Sanitas” in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages,” Journal of the Society of Architectural Historians, Vol. 58, No. 2 (1999)
Harvey, Barbara, Living and Dying in England, 1100-1540: The Monastic Experience (Clarendon Press, 1993)
Holmes, Urban Tigner, Daily Life in the Twelfth-Century (University of Wisconsin Press, 1952)
Lucas, A.T., “Washing and Bathing in Ancient Ireland,” The Journal of the Royal Society of Antiquaries of Ireland, Vol. 95, No. 1/2 (1965)
Newman, Paul B., Daily Life in the Middle Ages (McFarland and Co., 2001)
Smith, Virginia, Clean: A History of Personal Hygiene and Purity (Oxford University Press, 2007)
van Dam, Fabiola I., “Permeable Boundaries: Bodies, Bathing and FLuxes, 1135-1333,” Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages, ed. Patricia Baker (Brill, 2012)
van Winter, Johanna Maria, “Medieval Opinions about Food and Drinking in Connection with Bathing,” Spices and Comfits: Collected Papers on Medieval Food (Prospect Books, 2007)
See:
Did people in the Middle Ages take baths? Medievalists.net April 13, 2013
Archibald, Elizabeth, “Did Knights Have Baths? The Absence of Bathing in Middle English Romance,” Cultural Encounters In The Romance Of Medieval England, edited by Corinne Saunders (Boydell, 2005)
Caskey, Jill, “Steam and “Sanitas” in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages,” Journal of the Society of Architectural Historians, Vol. 58, No. 2 (1999)
Harvey, Barbara, Living and Dying in England, 1100-1540: The Monastic Experience (Clarendon Press, 1993)
Holmes, Urban Tigner, Daily Life in the Twelfth-Century (University of Wisconsin Press, 1952)
Lucas, A.T., “Washing and Bathing in Ancient Ireland,” The Journal of the Royal Society of Antiquaries of Ireland, Vol. 95, No. 1/2 (1965)
Newman, Paul B., Daily Life in the Middle Ages (McFarland and Co., 2001)
Smith, Virginia, Clean: A History of Personal Hygiene and Purity (Oxford University Press, 2007)
van Dam, Fabiola I., “Permeable Boundaries: Bodies, Bathing and FLuxes, 1135-1333,” Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages, ed. Patricia Baker (Brill, 2012)
van Winter, Johanna Maria, “Medieval Opinions about Food and Drinking in Connection with Bathing,” Spices and Comfits: Collected Papers on Medieval Food (Prospect Books, 2007)
Monday, February 5, 2018
Ladies on horseback trampling Flowery Meades from the Visconti tarot deck by Bonifacio Bembo c.1450
Horsewoman from the Visconti tarot deck by Bonifacio Bembo c.1450
The flowery mead is one of the essential components of many medieval gardens. Poet Giovanni Boccaccio (1313-1375) in his 1348 Decameron painted a vivid picture of what a villa and garden of a wealthy Florentine was like. "In the midst of the garden a lawn of very fine grass, so green it seemed nearly black, coloured with perhaps a thousand kind of flowers…shut in with very green citrus and orange trees bearing, at the same time, both ripe fruit and young fruit and flowers so that they pleased the sense of smell as well as charmed the eyes with shade." This description has its parallels in the tapestries produced during this period…known as the mille fleurs or thousands of flowers.
These images of royal women & their attendants riding outdoors are on cards from the collection of Visconti Tarot cards of the Cary Collection of Cards, Beinecke Rare Book & Manuscript Library, Yale University. Originally commissioned in the 15C by the Viscontis, a Milanese family that dominated the cultural life of northern Italy in the 14C - 15C, this deck is one of the oldest sets in existence. The cards are attributed to Bonifacio Bembo, an Italian fresco artist who flourished between 1447-1478. The deck includes 11 trump cards, six court cards, including the King, Queen, Male Knight, Female Knight, Male Valet, and Female Valet, as well as the unusual addition of the 3 Theological Virtues - Faith, Hope and Charity. The unique addition of the female knight and valet may be an indication that this set was intended to be used by a female member of court.
Horsewoman from the Visconti tarot deck by Bonifacio Bembo c.1450
These playing cards are remnants of early Italian tarot packs. The tarot, originally a game of uncertain origin, came to be associated with fortune-telling several centuries after its appearance in central Europe in the late 14C. Perhaps the most beautiful surviving example of this form is the Visconti tarot, 67 particularly extravagant hand-painted cards with gold, silver, and miniature Renaissance portraiture.
Horsewoman from the Visconti tarot deck by Bonifacio Bembo c.1450
The complex history of these cards led to the identification of this deck with different names: “Visconti di Modrone Tarot,” from the Milanese noble family that possessed the deck until World War II. and “Filippo Maria Visconti Tarot,” from the name of the man who commissioned it.
The flowery mead is one of the essential components of many medieval gardens. Poet Giovanni Boccaccio (1313-1375) in his 1348 Decameron painted a vivid picture of what a villa and garden of a wealthy Florentine was like. "In the midst of the garden a lawn of very fine grass, so green it seemed nearly black, coloured with perhaps a thousand kind of flowers…shut in with very green citrus and orange trees bearing, at the same time, both ripe fruit and young fruit and flowers so that they pleased the sense of smell as well as charmed the eyes with shade." This description has its parallels in the tapestries produced during this period…known as the mille fleurs or thousands of flowers.
These images of royal women & their attendants riding outdoors are on cards from the collection of Visconti Tarot cards of the Cary Collection of Cards, Beinecke Rare Book & Manuscript Library, Yale University. Originally commissioned in the 15C by the Viscontis, a Milanese family that dominated the cultural life of northern Italy in the 14C - 15C, this deck is one of the oldest sets in existence. The cards are attributed to Bonifacio Bembo, an Italian fresco artist who flourished between 1447-1478. The deck includes 11 trump cards, six court cards, including the King, Queen, Male Knight, Female Knight, Male Valet, and Female Valet, as well as the unusual addition of the 3 Theological Virtues - Faith, Hope and Charity. The unique addition of the female knight and valet may be an indication that this set was intended to be used by a female member of court.
Horsewoman from the Visconti tarot deck by Bonifacio Bembo c.1450
These playing cards are remnants of early Italian tarot packs. The tarot, originally a game of uncertain origin, came to be associated with fortune-telling several centuries after its appearance in central Europe in the late 14C. Perhaps the most beautiful surviving example of this form is the Visconti tarot, 67 particularly extravagant hand-painted cards with gold, silver, and miniature Renaissance portraiture.
Horsewoman from the Visconti tarot deck by Bonifacio Bembo c.1450
The complex history of these cards led to the identification of this deck with different names: “Visconti di Modrone Tarot,” from the Milanese noble family that possessed the deck until World War II. and “Filippo Maria Visconti Tarot,” from the name of the man who commissioned it.
Labels:
15C,
Gardens/Farms/Gameparks,
Sports/Recreation/Entertainment,
Women in Portraits,
Women's History
Saturday, February 3, 2018
15C Flowery Meade & Mille Fleurs Tapestries

The Unicorn in Captivity (from the Unicorn Tapestries) 1495-1505 South Netherlandish Met acc. # 37.80.6
Fourteenth century poet Giovanni Boccaccio (1313-1375) in his Decameron of 1348 painted a vivid picture of what a villa & garden of a wealthy Florentine was like. The Cocharelli Manuscript from the late 14C shows members of the nobility standing beside a marble fountain in a garden planted with figs, oranges, pomegranates and grape vines resembling Boccacio’s description "in the midst of the garden a lawn of very fine grass, so green it seemed nearly black, colored with perhaps a thousand kind of flowers……shut in with very green citrus and orange trees bearing, at the same time, both ripe fruit and young fruit and flowers so that they pleased the sense of smell as well as charmed the eyes with shade." This description echos the tapestries of this period…known as the mille fleurs or thousands of flowers.
A Mead is a medieval garden designed to imitate a small meadow or sometimes a larger, natural meadow. A Flowery Mead is a medieval term for a lawn rich in wild flowers. A flowery mead is often one of the essential components of a medieval garden. The flowery mead depicted is seldom within a distinct, geometric, larger garden.
Albertus Magnus (c 1200-1280), a German Dominican friar & a Catholic bishop, was a great admirer of lawns & flowery meads "For the sight is in now way so pleasantly refreshed as by fine and close grass kept short." Most writers recommend digging out the original 'waste' plants, killing the seeds in the soil by flooding with boiling water, then laying out the lawn with curves laid in and pounded well. Another writer recommended mowing them twice a year; lawn mowing would have been done with scythes or primitive shears.
The Metropolitan Museum of Art suggests that Unicorn in Captivity may represent the beloved tamed. The animal is tethered to a tree & constrained by a fence; but the chain is not secure & the fence is low enough to leap over. The unicorn could escape if he wished, but his confinement seems to be a happy one, to which the ripe, seed-laden pomegranates in the tree—a medieval symbol of fertility & marriage—testify. The red stains on his flank do not appear to be blood, as there are no visible wounds like those in the hunting series; rather, they might represent juice dripping from the bursting pomegranates above. Many of the other plants represented here, such as wild orchid, bistort, & thistle, echo a theme of marriage & procreation, as they were acclaimed in the Middle Ages as fertility aids for both men and women. Even the little frog, nestled among the violets at the lower right, was cited by medieval writers for its noisy mating.
Thursday, February 1, 2018
15C Shearing Sheep in an enclosed garden area
Manuscripts The Hague, KB, 133 D 11
The semi-natural, unfertilized pastures formed by traditional European agricultural methods, were managed & maintained by the grazing of livestock. Because the ecological impact of this land-management strategy, the centuries-old agricultural system usually shared many beneficial characteristics with a natural habitat including the promotion of biodiversity. This strategy is rapidly declining in Europe due to the intensification of plant agriculture, & the mechanized, chemical-based methods which gained prominance from the industrial revolution on.
The semi-natural, unfertilized pastures formed by traditional European agricultural methods, were managed & maintained by the grazing of livestock. Because the ecological impact of this land-management strategy, the centuries-old agricultural system usually shared many beneficial characteristics with a natural habitat including the promotion of biodiversity. This strategy is rapidly declining in Europe due to the intensification of plant agriculture, & the mechanized, chemical-based methods which gained prominance from the industrial revolution on.
Labels:
14C,
15C,
Allegory & Personification,
Creatures/Pets/Animal Husbandry,
Gardens/Farms/Gameparks,
Illuminated Manuscripts,
Months/Seasons/Weather/Time
Tuesday, January 30, 2018
Henry VIII uses Piero de’Crescenzi’s c 1306 Liber ruralium commodorum (On the Rural Arts) to plan his gardens
From The Telegraph UK By Gordon Rayner, 23 Jan 2015
"He was certainly an expert on dead-heading, but Henry VIII’s gardening tips would also have included fertilizing squashes with the ashes of cremated humans and planting lettuce in a ball of goat manure, a new exhibition reveals. The Tudor king’s personal copy of the world’s first gardening manual, believed to be the inspiration for the lost garden of Whitehall Palace, is to go on display at Buckingham Palace. Written more than 700 years ago, the Latin text includes instructions on how to lay out a “royal garden,” including instructions on building walks and bowers “where the king and queen can meet with the barons and lords when it is not the rainy season.”
"The leather-bound volume was part of the king’s library, which acquired it on the death of its previous owner, Richard Rawson, the king’s chaplain and advisor on his divorce from Catherine of Aragon in 1543. Written between 1304 and 1309 by Petrus de Crescentiis, a lawyer from Bologna, the Ruralia Commoda contained advice on how to grow giant leeks, how to produce cherries without pits and growing different colored figs on the same tree.
"It tells gardeners that “cucumbers shake with fear at thunder,” while a squash will bear fruit after precisely nine days if planted in the ashes of human bone and watered with oil. To get the tastiest lettuces, the manual recommends planting lettuce seed together with a radish, nasturtium and colewort inside a ball of goat manure.
The leather-bound manual is illustrated with woodcuts
"Its instructions for planning a royal garden are equally precise. It should occupy a plot of at least 20 acres, its size and perfection an expression of a king’s status, wealth and mastery over the environment. It should include fragrant herbs because they “not only delight by their odour, but…refresh the sight.” A bench made out of turf and flowering plants, a highly fashionable feature at the time, was a must. The overall effect was that “the king will not only take pleasure, but…after he has performed serious and obligatory business, he can be renewed in it.”
"The book was acquired by Henry at around the time he built the Great Garden at Whitehall Palace, which burned down in 1698. A portrait of Henry, Jane Seymour and their children Edward, Mary and Elizabeth by an unknown artist, which shows the newly-planted garden in the background, is to be displayed next to the book. Vanessa Remington, curator of the exhibition, said: “This is no coffee-table book, but a real, thumbed-through and annotated gardening manual, showing that its various owners referred to it time and time again. Although it is impossible to know, it is tempting to think that Henry VIII may have sat in his library and looked through it for inspiration.”
The Maze at Hampton Court
"Henry laid out the gardens at Hampton Court (pictured) and Whitehall Palace at the time he acquired the book. Neither Tudor garden survives. The hedge maze in this photo is an outdoor garden maze or labyrinth in which the "walls" or dividers between passages are made of vertical hedges. Hedge mazes evolved from the knot gardens of Renaissance Europe. Early garden mazes began to appear in the 16C. These initial mazes were constructed from evergreen herbs, but, over time, box became a more popular option due to its robustness. Italian architects had been sketching conceptual garden labyrinths as early as 1460, and hundreds of mazes were constructed in Europe between the 16C-18C. Initially, the hedge maze was not intended to confuse, but to provide a unicursal walking path. Puzzle-like hedge mazes featuring dead ends and tall hedges arrived in England during the reign of King William III of England. It was possible to get lost in the much-admired labyrinth of Versailles, built for Louis XIV of France in 1677 and destroyed in 1778. This maze was adorned with 39 hydraulic sculpture groups depicting Aesop's fables. The oldest surviving puzzle hedge maze, at Hampton Court Palace in Surrey, England, was built for King William in the late 17C. Its distinctive trapezoidal shape is due to pre-existing garden paths running alongside the maze.
"The 11in x 16in volume is illustrated with woodcut prints, including a drawing of the supposedly deadly mandrake root, resembling a naked man with leaves growing from his head. Ms Remington said: “What is really appealing about it is that on the one hand it is full of sensible advice about how to prevent soil drying out, about grafting and pruning, that we still do today, and on the other it contains quirky tips that are very much of that era. It shines a new light on Henry, a different aspect of his king-making, one that we haven’t really got any other evidence of.”
"The manual, which has never been translated into English, stayed in the royal library until 1757, when it was transferred to the British Library, and later went through several private owners before being re-acquired for the Royal Collection by Queen Victoria."
Henry VIII's horticultural manual revealed
The world's oldest gardening manual, part of Henry VIII's library...
Portrait of Henry VIII at the National Maritime Museum"He was certainly an expert on dead-heading, but Henry VIII’s gardening tips would also have included fertilizing squashes with the ashes of cremated humans and planting lettuce in a ball of goat manure, a new exhibition reveals. The Tudor king’s personal copy of the world’s first gardening manual, believed to be the inspiration for the lost garden of Whitehall Palace, is to go on display at Buckingham Palace. Written more than 700 years ago, the Latin text includes instructions on how to lay out a “royal garden,” including instructions on building walks and bowers “where the king and queen can meet with the barons and lords when it is not the rainy season.”
"The leather-bound volume was part of the king’s library, which acquired it on the death of its previous owner, Richard Rawson, the king’s chaplain and advisor on his divorce from Catherine of Aragon in 1543. Written between 1304 and 1309 by Petrus de Crescentiis, a lawyer from Bologna, the Ruralia Commoda contained advice on how to grow giant leeks, how to produce cherries without pits and growing different colored figs on the same tree.
"It tells gardeners that “cucumbers shake with fear at thunder,” while a squash will bear fruit after precisely nine days if planted in the ashes of human bone and watered with oil. To get the tastiest lettuces, the manual recommends planting lettuce seed together with a radish, nasturtium and colewort inside a ball of goat manure.
The leather-bound manual is illustrated with woodcuts
"Its instructions for planning a royal garden are equally precise. It should occupy a plot of at least 20 acres, its size and perfection an expression of a king’s status, wealth and mastery over the environment. It should include fragrant herbs because they “not only delight by their odour, but…refresh the sight.” A bench made out of turf and flowering plants, a highly fashionable feature at the time, was a must. The overall effect was that “the king will not only take pleasure, but…after he has performed serious and obligatory business, he can be renewed in it.”
"The book was acquired by Henry at around the time he built the Great Garden at Whitehall Palace, which burned down in 1698. A portrait of Henry, Jane Seymour and their children Edward, Mary and Elizabeth by an unknown artist, which shows the newly-planted garden in the background, is to be displayed next to the book. Vanessa Remington, curator of the exhibition, said: “This is no coffee-table book, but a real, thumbed-through and annotated gardening manual, showing that its various owners referred to it time and time again. Although it is impossible to know, it is tempting to think that Henry VIII may have sat in his library and looked through it for inspiration.”
The Maze at Hampton Court
"Henry laid out the gardens at Hampton Court (pictured) and Whitehall Palace at the time he acquired the book. Neither Tudor garden survives. The hedge maze in this photo is an outdoor garden maze or labyrinth in which the "walls" or dividers between passages are made of vertical hedges. Hedge mazes evolved from the knot gardens of Renaissance Europe. Early garden mazes began to appear in the 16C. These initial mazes were constructed from evergreen herbs, but, over time, box became a more popular option due to its robustness. Italian architects had been sketching conceptual garden labyrinths as early as 1460, and hundreds of mazes were constructed in Europe between the 16C-18C. Initially, the hedge maze was not intended to confuse, but to provide a unicursal walking path. Puzzle-like hedge mazes featuring dead ends and tall hedges arrived in England during the reign of King William III of England. It was possible to get lost in the much-admired labyrinth of Versailles, built for Louis XIV of France in 1677 and destroyed in 1778. This maze was adorned with 39 hydraulic sculpture groups depicting Aesop's fables. The oldest surviving puzzle hedge maze, at Hampton Court Palace in Surrey, England, was built for King William in the late 17C. Its distinctive trapezoidal shape is due to pre-existing garden paths running alongside the maze.
"The 11in x 16in volume is illustrated with woodcut prints, including a drawing of the supposedly deadly mandrake root, resembling a naked man with leaves growing from his head. Ms Remington said: “What is really appealing about it is that on the one hand it is full of sensible advice about how to prevent soil drying out, about grafting and pruning, that we still do today, and on the other it contains quirky tips that are very much of that era. It shines a new light on Henry, a different aspect of his king-making, one that we haven’t really got any other evidence of.”
"The manual, which has never been translated into English, stayed in the royal library until 1757, when it was transferred to the British Library, and later went through several private owners before being re-acquired for the Royal Collection by Queen Victoria."
Labels:
14C,
15C,
Flowers,
Gardens/Farms/Gameparks,
Reading/Books/Printing
Monday, January 29, 2018
Pietro de' Crescenzi (c 1233-1320) Gardens - Illuminated Manuscripts
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 6 On herb gardens (folio 157) These workers are maintaining raised beds. De Crescenzi noted that these hot beds were constructed by putting fresh dung in a pit & either putting soil over it & planting in the soil, covering over the plants with a shelter in inclement weather.
Piero de’Crescenzi’s 12 book treatise, the "Liber Ruralium Commodorum" (On the Rural Arts) is the most important work on agriculture & gardens written during the middle ages. Piero de Crescenzi wrote "Liber Ruralium Commodorum" in 1305.
Book 1 - the best location & arrangement of a manor, villa, or farm
Book 2 - the botanical background needed to raise different crops
Book 3 - building a granary & cultivation of cereal, forage & food
Book 4 - on vines & wine-making
Books 5 & 6 - arborculture &horticulture, including 185 plants useful for medicine & nourishment
Book 7 - meadows and woods
Book 8 - on gardens
Book 9 - animal husbandry & bee-keeping
Book 10 - hawking & hunting
Book 11 - a general summary of the book
Book 12 - a calendar of duties and tasks, month by month.
Italian attorney & land-owner Crescenzi relied heavily on Roman agricultural principles, although he supplemented these traditions with contemporary medieval ideas natural sciences & medicine. Crescenzi took much of his information from Roman authors, such as Cato, Columella, Varo, & Palladius. Crescenzi’s treatise surveys building, managing, & maintaining an agricultural estate & even devotes an entire book of his treatise to pleasure gardens, before the development of villa gardens in the Renaissance. By the late 15C, his work was widely available in manuscript & print editions & was owned by many in the lavish villas around Rome, Florence, & Venice.
Manuscript copies of Ruralia Commoda were popular (over 100 copies are known), making it an excellent candidate for the new technology of printing. The editio princeps appeared in 1471- in Latin, un-illustrated, it was printed by Johann Schüssler of Augsburg. Another 36 incunable editions exist, most printed in Germany. The treatise remained one of the most popular works of its kind until the 17C, when the Aristotelian precepts on which it was based were nearly smothered by the empirical methods of more recent developments in science.
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 5 On trees (folio 112v)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 5 On trees (folio 112v) b Crescenzi advised: "Trees are to be planted in their rows, pears, apples, & palms, & in warm places, lemons. Again mulberries, cherries, plums, & such noble trees as figs, nuts, almonds, quinces, & such-like, each according to their kinds, but spaced twenty feet apart more or less."
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 7 On meadows and groves (folio 201v) For decorative features using trees, Crescenzi suggests willow & popular trees, densely planted with other plants & vines, "cut out into the shape of towers & crenellations."
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 8 On pleasure gardens (folio 205v)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 10 On hunting (folio 265r)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 11 On regulating a rural operation. Piero de' Crescenzi gave advice on breeding pheasants, which he believed were more noble & more beautiful than any other bird in the garden or farm. He also wrote that garden parks often were stocked with wild beasts.
He advised, "Of the gardens of royal personages & powerful & wealthy lords. And inasmuch as wealthy persons can by their riches & power obtain such things as please them & need only science & art to create all they desire. For them, therefore, let a great meadow be chosen, arranged, & ordered, as here shall be directed. Let it be a place where the pleasant winds blow & where there are fountains of waters; it should be twenty 'Journaux' or more in size according to the will of the Lord & it should be enclosed with lofty walls. Let there be in some part a wood of divers trees where the wild beasts may find a refuge. In another part let there be a costly pavilion where the king & his queen or the lord & lady may dwell, when they wish to escape from wearisome occupations & where they may solace themselves."
"Let there be shade & let the windows of the pavilion look out upon the garden but not exposed to the burning rays of the sun. Let fish-pools be made & divers fishes placed therein. Let there also be hares, rabbits, deer & such-like wild animals that are not beasts of prey. And in the trees near the pavilion let great cages be made & therein place partridges, nightingales, blackbirds, linnets, & all manner of singing birds. Let all be arranged so that the beasts & the birds may easily be seen from the pavilion. Let there also be made a pavilion with rooms & towers wholly made of trees...”
14C Italian manuscript Treatise on Rural Economy by Pietro de' Crescenzi (c 1233-1320)
14C Italian manuscript Treatise on Rural Economy by Pietro de' Crescenzi (c 1233-1320)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09 Title page of a vernacular translation of the De agricultura of Piero Crescentio, printed by Capcasa in Venice in 1495
Book 1 - the best location & arrangement of a manor, villa, or farm
Book 2 - the botanical background needed to raise different crops
Book 3 - building a granary & cultivation of cereal, forage & food
Book 4 - on vines & wine-making
Books 5 & 6 - arborculture &horticulture, including 185 plants useful for medicine & nourishment
Book 7 - meadows and woods
Book 8 - on gardens
Book 9 - animal husbandry & bee-keeping
Book 10 - hawking & hunting
Book 11 - a general summary of the book
Book 12 - a calendar of duties and tasks, month by month.
Italian attorney & land-owner Crescenzi relied heavily on Roman agricultural principles, although he supplemented these traditions with contemporary medieval ideas natural sciences & medicine. Crescenzi took much of his information from Roman authors, such as Cato, Columella, Varo, & Palladius. Crescenzi’s treatise surveys building, managing, & maintaining an agricultural estate & even devotes an entire book of his treatise to pleasure gardens, before the development of villa gardens in the Renaissance. By the late 15C, his work was widely available in manuscript & print editions & was owned by many in the lavish villas around Rome, Florence, & Venice.
Manuscript copies of Ruralia Commoda were popular (over 100 copies are known), making it an excellent candidate for the new technology of printing. The editio princeps appeared in 1471- in Latin, un-illustrated, it was printed by Johann Schüssler of Augsburg. Another 36 incunable editions exist, most printed in Germany. The treatise remained one of the most popular works of its kind until the 17C, when the Aristotelian precepts on which it was based were nearly smothered by the empirical methods of more recent developments in science.
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 5 On trees (folio 112v)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 5 On trees (folio 112v) b Crescenzi advised: "Trees are to be planted in their rows, pears, apples, & palms, & in warm places, lemons. Again mulberries, cherries, plums, & such noble trees as figs, nuts, almonds, quinces, & such-like, each according to their kinds, but spaced twenty feet apart more or less."
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 7 On meadows and groves (folio 201v) For decorative features using trees, Crescenzi suggests willow & popular trees, densely planted with other plants & vines, "cut out into the shape of towers & crenellations."
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 8 On pleasure gardens (folio 205v)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 10 On hunting (folio 265r)
Piero de' Crescenzi (1233-1321) Liber ruralium commodorum 1304-09. Illuminator - Master of Fitzwilliam MS. 268 - 1470-1485 - French. Le livre des prouffis champestres et ruraux, Book 11 On regulating a rural operation. Piero de' Crescenzi gave advice on breeding pheasants, which he believed were more noble & more beautiful than any other bird in the garden or farm. He also wrote that garden parks often were stocked with wild beasts.
He advised, "Of the gardens of royal personages & powerful & wealthy lords. And inasmuch as wealthy persons can by their riches & power obtain such things as please them & need only science & art to create all they desire. For them, therefore, let a great meadow be chosen, arranged, & ordered, as here shall be directed. Let it be a place where the pleasant winds blow & where there are fountains of waters; it should be twenty 'Journaux' or more in size according to the will of the Lord & it should be enclosed with lofty walls. Let there be in some part a wood of divers trees where the wild beasts may find a refuge. In another part let there be a costly pavilion where the king & his queen or the lord & lady may dwell, when they wish to escape from wearisome occupations & where they may solace themselves."
"Let there be shade & let the windows of the pavilion look out upon the garden but not exposed to the burning rays of the sun. Let fish-pools be made & divers fishes placed therein. Let there also be hares, rabbits, deer & such-like wild animals that are not beasts of prey. And in the trees near the pavilion let great cages be made & therein place partridges, nightingales, blackbirds, linnets, & all manner of singing birds. Let all be arranged so that the beasts & the birds may easily be seen from the pavilion. Let there also be made a pavilion with rooms & towers wholly made of trees...”
14C Italian manuscript Treatise on Rural Economy by Pietro de' Crescenzi (c 1233-1320)
14C Italian manuscript Treatise on Rural Economy by Pietro de' Crescenzi (c 1233-1320)
Labels:
14C,
15C,
Creatures/Pets/Animal Husbandry,
Gardens/Farms/Gameparks,
Hunting/Fowling/Trapping
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