Showing posts with label Gardens/Farms/Gameparks. Show all posts
Showing posts with label Gardens/Farms/Gameparks. Show all posts
Monday, August 10, 2020
17C Garden 1609
Labels:
17C,
Allegory & Personification,
Garden History/Design/Labor/Ornaments,
Gardens/Farms/Gameparks,
Months/Seasons/Weather/Time
Sunday, August 9, 2020
17C Garden 1614
Labels:
17C,
Allegory & Personification,
Garden History/Design/Labor/Ornaments,
Gardens/Farms/Gameparks,
Months/Seasons/Weather/Time
Saturday, August 8, 2020
17C Gardens 1689
Labels:
17C,
Allegory & Personification,
Garden History/Design/Labor/Ornaments,
Gardens/Farms/Gameparks,
Love/Sex/Marriage,
Months/Seasons/Weather/Time
Friday, August 7, 2020
17C Discovering a Garden in a Painting Background - 1640 Minerva
1640 Louis Ferdinand Elle the Elder (French artist, 1612-1689) Anne Marie Louise d'Orleans Grande Mademoiselle as Minerva
Labels:
17C,
Allegory & Personification,
Garden History/Design/Labor/Ornaments,
Gardens/Farms/Gameparks
Monday, August 3, 2020
17C Garden 1610
Labels:
17C,
Garden History/Design/Labor/Ornaments,
Gardens/Farms/Gameparks,
Months/Seasons/Weather/Time
Monday, July 20, 2020
1782 John Jay's wife on Gardens in France
Robert Edge Pine's (English-born American artist, 1730-1788) drawing of Sarah Van Burgh Livingston Jay daughter of the Governor of New Jersey William Livingston and wife of John Jay
In 1774, John Jay (1745-1829) married New Jersey Governor William Livingston's 17 year-old daughter Sarah (1756-1802). Five years later, with the American Revolution in full fury, John Jay, president of Congress, was sent to Spain in an unsuccessful search of support for the democratic effort. In 1782, he traveled to France to join Benjamin Franklin. His young wife accompanied him on this trip. She later wrote of France, "I could not but remark their natural inclination for chearful objects displayed in their little flower gardens, for there is scarce a peasant’s cottage without the appurtenance of a garden & many of them have little bowers that discovers a very pretty taste..."
In 1774, John Jay (1745-1829) married New Jersey Governor William Livingston's 17 year-old daughter Sarah (1756-1802). Five years later, with the American Revolution in full fury, John Jay, president of Congress, was sent to Spain in an unsuccessful search of support for the democratic effort. In 1782, he traveled to France to join Benjamin Franklin. His young wife accompanied him on this trip. She later wrote of France, "I could not but remark their natural inclination for chearful objects displayed in their little flower gardens, for there is scarce a peasant’s cottage without the appurtenance of a garden & many of them have little bowers that discovers a very pretty taste..."
Friday, July 17, 2020
18C Ladies on Horseback Honing their Gamepark Skills
1710 Elizabeth Cahrlotte d'Orleans, Duchesse de Lorraine by Jean-Baptiste Martin
1720 Lady on Horseback Unknown artist
1730s Marie Leczinska Queen of France (1703-1768), riding side saddle on a white horse, the moor attendant with parasol
1740 James Seymour (British artist, 1702–1752) Princess Amelia Sophia
1743 Elisabeth I of Russia by Georg Christoph Grooth
1744 Catherine the Great based on Catherine the Great of Russia while Grand Duchess by Georg Christoph Grooth
1750 Catherine the Great of Russia after Georg Christoph Grooth
1760 George Stubbs (English artist, 1724-1806) The Countess of Coningsby in the Costume of the Charlton Hunt
1762 Catherine II (1729–96) the Great of Russia by Vigilius Erichsen (1722–82)
1769 Johann Zoffany (German-born English painter, 1733-1810) The Drummond Family
1777 George Stubbs (English artist, 1724-1806) John and Sophia Musters Out Riding at Colwick Hall
1780 George Stubbs (English artist, 1724-1806) The Wedgewood Family
1783 Francisco José de Goya y Lucientes (Spanish painter, 1746–1828) Maria Luisa, Queen of Spain on Horseback (María Teresa de Vallabriga)
1783 Marie Antoinette in hunting attire by Louis Auguste Brun de Versoix
1783 Marie Antoinette Riding at Versailles by Brun de Versoix
1785 José Campeche Dama a caballo
1789 Wilhelmina of Prussia, Princess of Orange by Tethart Phillipp Christian Haag
1793 George Stubbs (English artist, 1724-1806) Laetitia, Lady Lade on Horseback
1799 Francisco José de Goya y Lucientes (Spanish painter, 1746–1828) Maria Luisa,Queen of Spain on Horseback (Maria Louisa of Parma, Queen of Spain)
1720 Lady on Horseback Unknown artist
1730s Marie Leczinska Queen of France (1703-1768), riding side saddle on a white horse, the moor attendant with parasol
1740 James Seymour (British artist, 1702–1752) Princess Amelia Sophia
1743 Elisabeth I of Russia by Georg Christoph Grooth

1744 Catherine the Great based on Catherine the Great of Russia while Grand Duchess by Georg Christoph Grooth
1750 Catherine the Great of Russia after Georg Christoph Grooth
1760 George Stubbs (English artist, 1724-1806) The Countess of Coningsby in the Costume of the Charlton Hunt
1762 Catherine II (1729–96) the Great of Russia by Vigilius Erichsen (1722–82)
1769 Johann Zoffany (German-born English painter, 1733-1810) The Drummond Family
1777 George Stubbs (English artist, 1724-1806) John and Sophia Musters Out Riding at Colwick Hall
1780 George Stubbs (English artist, 1724-1806) The Wedgewood Family
1783 Francisco José de Goya y Lucientes (Spanish painter, 1746–1828) Maria Luisa, Queen of Spain on Horseback (María Teresa de Vallabriga)
1783 Marie Antoinette in hunting attire by Louis Auguste Brun de Versoix
1783 Marie Antoinette Riding at Versailles by Brun de Versoix
1785 José Campeche Dama a caballo
1789 Wilhelmina of Prussia, Princess of Orange by Tethart Phillipp Christian Haag
1793 George Stubbs (English artist, 1724-1806) Laetitia, Lady Lade on Horseback
1799 Francisco José de Goya y Lucientes (Spanish painter, 1746–1828) Maria Luisa,Queen of Spain on Horseback (Maria Louisa of Parma, Queen of Spain)
Thursday, July 16, 2020
Wednesday, July 15, 2020
Haimbhausen Castle. - Early 18C Bavarian Gardens & Grounds
1701 Bavarian Views with Gardens. Haimbhausen Castle. Michael Wening (Bavarian artist, 1645-1718) Historico-Topographica Descriptio. Detail
Michael Wening (1645-1718) was a Bavarian engraver known for his depictions of cityscapes & views of stately homes, castles & monasteries in the Bavaria of his day. His concept was to publish a visual account of Bavaria’s 4 districts called Historico-Topographica Descriptio. He began in 1696, & had finished more than 100 drawings within the first 2 months. The 1st volume appeared in 1701, but work on the other 3 volumes was delayed by Austria’s occupation of Bavaria. At least 1 volume was published after his death in 1718.
A great alternative view of the gardens & grounds from Michael Wening thanks to the Bavarian State Library & Daniel Seuffert of Munich, Germany!
Sunday, June 28, 2020
Man-made Landscapes of Bavarian Gardens, & Grounds by Michael Wening (1645-1718)
Saturday, June 27, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
The Walk which surrounds the Royal Garden. View of a paved walk lined with fir trees interspersed with small bushes trimmed to tall cones, a domed pagoda at the end, and men and women walking. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Friday, June 26, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
The Theatre. View of a rectangular space, raised with a short flight of steps leading up to it, enclosed by rows of tall box hedges with classical statues set on pedestals in each opening, a man striking an attitude on the stage produced and men and women talking at the foot fo the steps. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Thursday, June 25, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
The First Grand Cross Walk & after your Entrance into ye Royal Garden. View along a walk with a large round fountain in the centre, lined by small trees trimmed into cones interspersed with classical urns and statues set on pedestals, small rectangular gardens enclosed in low hedges beyond and rows of trees along the horizon, with people walking. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Wednesday, June 24, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
The Cascade behind the Theatre. View of an ornamental cascade; water flowing from three arched niches and two large shells held by water gods either side, with rows of firs, classical statues and box hedges on the level above, and flights of steps curving down on either side to the foreground, where people walk. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Tuesday, June 23, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
Two Summer Rooms one towards the Grand Gallery the other towards the Cascade. View of a summer pagoda with a round archway topped by a triangular pediment and two small balustraded wings, people sitting inside and walking outside, the interior walls painted with scenes of crowds greeting a man on horseback, and tall hedges behind. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Monday, June 22, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
Front of the Grotto towards the Royal Garden. View of a building with a colonnaded roof terrace, an arched doorway, two protruding wings and flights of steps running up on either side, men and women walking, and trees in the background to left. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Sunday, June 21, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
Front of the Grand Gallery towards ye Gardens. View of a building with a mansard roof, dormer windows and porch with a triangular pediment, and people walking in a garden in front of it with a fountain and rows of small potted firs, enclosed by a hedge with tall trees behind it. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Saturday, June 20, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
Entry into the Grand Middle Walk of the Royal Garden. View looking down over ornamental gardens composed of potted plants and small sections enclosed with low hedges, with a large fountain in the middle distance, smaller ones set out at the corners of a hexagon around it, and two pagodas either side in the distance, fronted by a trellis divided by pillars forming a screen with three openings, and people walking. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Friday, June 19, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
A View of the Grand Cascade in ye Royal Garden. View of a large cascade with water flowing in four streams over steps between arched niches, two containing classical statues, into a shallow basin, with statues in a row along the low balustrade on the top and flights of steps curving down either tide to the lawn where people walk, an ordered forest in the background to right and the corner of a single storey building of the same height as the cascade to left.
From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
Thursday, June 18, 2020
1751 Gardens of Herrenhausen in Germany - Johann Sebastian Müller (c 1715–1790)
A View of the Amphitheatre as it fronts the Natural Theatre. View of a small amphitheatre formed of two sets of three broad grassy steps, enclosed by a tall box hedge, with tall trees set in a semi-circle on the steps creating natural pillars, and classical statues on pedestals between them, with people walking in the foreground. From Twelve Principal Views of Herrenhausen; artist Johann Sebastian Müller & publisher Robert Sayer; 1751-52; London
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